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Things of All Sizes
by
Max Fisher-Cohen
I live with my mother. My
older brother is here too,
but only since Thanksgiving,
which was about three weeks
ago. He was supposed to head
back to D.C. a few days
after the funeral. Mom won’t
stop talking about how he
should have gone back, he’s
going to lose his job, on
and on. Me, I only work
part-time, and I spend some
time with my girlfriend,
Ellen, but I also spend a
lot of time at home watching
TV, or with my mom.
My father died three weeks
ago. It’s like my brain is
holding me hostage, keeping
me the same person,
following the same chain of
thoughts that it did
before. It’s like, look! in
the closet, right next to
where I’ve hung my jacket,
is his tweed coat. He must
be home! You know, I’ve
never seen this sock before
– it doesn’t match any of
mine – I bet it is his, but
no, I’m not going to tell
him. Socks are always
disappearing. I need all
the socks I can get. Man,
this is that episode of
Friends, the one that I
finally convinced Dad to
watch; he laughed for a
second, but then refused to
admit it. Hey, it snowed
last night. Maybe if I stay
out of the house he’ll just
pay one of the neighborhood
kids to shovel. Then I have
to turn and tell my brain
that he’s not here anymore,
and the poor organ was so
caught up in the moment that
it hurts like new every
time. Sometimes I call his
cell phone just to hear his
voice in his voicemail.
In my parents’ room, my
mom’s room, a novel still
sits parted on his side
table, his watch on his
bureau, his jar of change,
which he cruelly used to pay
my allowance out of, stuck
at some unknown amount
forever. Some things my mom
has had the courage to put
away – his slacks lay parted
over the chair in the corner
of his room for a week, but
now they have disappeared.
I guess slowly everything,
big or small, will
disappear, and then I’ll
feel just fine.
Right now I am in the
garage, a place that, as far
as I know, my mother hasn’t
ventured into since she
found him dead. I’m here
because my dad thought he
was a carpenter. On the
weekends, he would disappear
into his workshop for hours,
and emerge with some useless
gift for one of us. It was
never a big deal. I don’t
even know where most of that
crap is anymore, but this is
the central place that my
brain keeps harping on,
keeps telling me, go back
there, there’s something in
there that you need to know
about. Right here on his
worktable, a four-by-eight
foot piece of plywood that
rests on two sawhorses, is
an unfinished project. It’s
a spice rack with some small
seashells glued to it. It
feels dumb, but I am
thinking about trying to
finish the spice rack for
her. It seems like there
isn’t much left to it. The
glue and the shells are
right here. But not today.
---
As I enter her
apartment, Ellen, as she
always does, wordlessly
helps me out of my jacket
and hangs it in the closet.
She looks me up and down. I
stand there and let her
study me. It’s a nice
feeling, her eyes hungrily
taking in my body, the fresh
images stimulating her
imagination, her remembrance
of what is beneath my
clothes. It’s a nice
feeling, but it’s a feeling
that lacks mystery. I wish
there was a bigger space,
something more that we
explored between each other
than just the thin layer of
material that covers our
bodies. We have no hopes,
plans, designs that we are
building towards. One day
this thirty-one-year-old
woman who works for a
fashion magazine got lonely
and asked this
twenty-year-old bus boy who
works at the restaurant she
eats at if he’ll walk her
home. And we go from there.
She puts her left hand on my
cheek and kisses me, and I
kiss back. When we
separate, I have nothing
better to say than “Hi.”
She kisses me on the cheek,
and I smile, drop my hand
onto her hip.
“Here, try one,”
Ellen says to me, holding a
chocolate chip cookie to my
lips. “I made them for
you. I think you said you
like chocolate chip cookies,
right?”
I smile. I never
told her anything about
liking chocolate chip
cookies, but it was nice of
her. I slide my finger down
her right wrist, the one
that is still holding the
cookie, take the fingers of
her left hand in my own, and
take the cookie from her.
“It’s really good,” I say.
She’s always treated me
fair, so, you know, it is
what it is.
---
I just got home, and I’m
sitting on the couch,
flicking through channels. I
worked a day shift at the
restaurant downtown today.
National Geographic is
showing a special on grizzly
bears, and I guess I’m on a
nature kick because I don’t
even flick through the rest
of the channels, but after a
minute of a grizzly pawing
at the base of a tree it
goes to commercial, and I
mute it.
I hear keys
skipping across the lock
outside, and I know it’s
Mom. She’s carrying
groceries probably. I jog
to the door, and open it for
her. Her face is white from
the cold, and her thick
lipsticked lips look almost
black in the evening light.
As she steps through the
door, I take two paper bags
filled with groceries from
her hands. I put them on
the kitchen counter and
return to the car to get
what’s left in the trunk.
When I come back in, she is
standing by the kitchen
table. The keys rest on the
corner of the table, her
purse to the right, then her
thin red leather gloves, her
big black hat, her scarf.
She is unbuttoning her
jacket, surveying the
condition of all her gear.
My back is to her as I
unpack the groceries, but I
hear her opening the closet
door, putting everything in
place. These last few
weeks, I’m learning the
place for everything. I
look back over my shoulder
as she steps into the
kitchen and hold my breath
as she straightens her
blouse over her big bosom,
down over the belly she has
developed in the last few
years.
Mom is in the kitchen now,
taking out some items that
I’ve just put away, and I’m
sitting at the dining room
table watching her grease a
baking pan, a family sized
package of chicken
drumsticks and thighs to her
right. I spin her car keys
around my finger, close my
eyes, flex them upwards,
trying to look into my
brain, find some words.
Then I worry that she will
be irritated by the noise
and lay my hands down on top
of the keys, feel the still
cold metal.
“What’s on the TV?” she
finally asks.
“Some nature show,” I say,
staring at the side of the
counter. “Grizzly bears,” I
mumble.
“What?”
“Grizzly bears. It’s a
nature show about grizzly
bears. I just got home like
fifteen minutes before you.
I didn’t watch any of it.”
I look up at her, and feel
all dizzy. The oven,
kitchen cabinets, knife rack
all look cartoonishly huge
behind her.
“Where’s your brother?”
“I don’t know. Probably in
his room.”
“He’s been up there all
day?”
“I don’t know, Mom. I told
you, I just got home. I
worked at the restaurant all
day.” My tongue feels
tired, drugged up. My words
slur together.
She starts putting the
chicken into the baking pan,
turns around and switches
the oven on, then she opens
a cabinet, starts pulling
spices out. I look for a
reaction from her, but
instead of making a remark
about the spices or dad or
anything, she just says,
“Go tell your brother that
dinner will be ready in half
an hour.”
I look doubtfully at her,
open my eyes wide. She
stares back at me, stares me
down. She is telling me to
let her have this hope, and
I can’t argue with that and
head towards the stairs.
“Nathan,” I yell, banging on
the door with my right
hand. “Nathan, wake up.”
Nathan sleeps all day, or so
it seems. He locks his
door, and usually takes a
long time to respond to me,
so I assume he is sleeping.
“What.”
“Mom says that dinner will
be ready in a half hour.”
I rest my hand on the
doorknob, try to twist it,
push my way in, but the door
is, as expected, locked. I
wait a little longer for him
to respond, but he doesn’t.
I have delivered the
message, done what has been
asked, and I feel okay to
turn around. I walk
straight through the kitchen
and into the TV room, sit
down on the couch and watch
a grizzly slapping its huge
clawed paws into a river,
white water spraying up
around its legs.
---
It’s the morning
and I’m on my way to the
shower. On my way up the
steps, I hear Nathan’s door
snap shut. I leap up the
last four steps, clasping my
towel to my waist, and lay
my hand on his doorknob. I
feel the weight of his hand
on the other side. I clear
my throat, and in a soft
voice say, “Nathan.” I feel
the weight leave the
doorknob then hear the lock
click. “Nathan,” I say,
louder now, my voice
cracking at the end. I hear
his bed creak.
When I finish with my
shower, I hear my cell phone
ringing, and I race down to
my room to answer it. It’s
Ellen, and we say hi and
that kind of stuff, and then
she says to me, “So,” and
she just waits for me to say
all the stuff that’s
happening in my life. I
don’t say anything, so she
starts again, “So, how… are…
things.” What does she want
me to do? Give a book
report? She doesn’t want to
hear any of this stuff.
“Things are fucking
awesome,” I say.
“I’m serious,” she says.
“I’m serious too. You don’t
know how great it is, what
with life insurance money
and everything. And I even
inherited his car. We
should have a party.”
Now she is silent, so I say,
“I’m sorry,” but I’m really
not, and you can hear it in
my voice. I just don’t give
a fuck either way, and if
this is where it ends, then
I’m certainly not going to
go out of my way. I listen
to her breath for a few
seconds, and then she sighs
and hangs up, and I slip the
phone in my pocket and leave
the house, drive downtown,
dawdle away the afternoon,
browsing the shops downtown
– the record store, the
bookstore, the thrift
store. I want distraction,
but nothing seems big enough
to move me. It’s like I’ve
got new eyes. I go and sit
in the park for a while, and
it’s a sunny December day,
just warm enough to bring
people out. I watch the
people walk by in their
bright colored clothes and
wonder how everything can
look so the same – mothers
and nannys brushing sand off
of kids’ pants, a dude
throwing Frisbee with his
golden retriever – and yet
everything feels so
different, so far away.
---
I walk into the front door,
look into the garage, and
there’s Nathan, wearing the
threadbare Pearl Jam t-shirt
that I tried to wrestle away
from him shortly after he
graduated from college and
moved to D.C. I figured,
why not? He had said that
all he, all anyone ever wore
down there were slacks,
button downs, and ties. His
face looks saggy and pale,
with several weeks’ worth of
tangled scruff. I wonder
what his coworkers would
think of him now. He is
picking up shells from the
ground and placing them on a
sheet of newspaper, the glue
by his side. I walk into
the room, kneel down, and
begin to help him.
“We should throw them away,”
he says, after we have
picked them all up.
I nod.
“There’s no sense to keeping
this stuff around,” he says.
I nod again and look over to
the garbage can in the
corner. He follows my eyes
to it, and we both stand
there contemplating the
garbage can for a while.
“Whatever you think,” I
say. Nathan drags the
garbage can over to the
table. I feel short of
breath, light headed. It is
good to see and hear my
brother, and I can see that
he’s hurting. I know he’s
hurting. I act on the
impulse to hug Nathan, but I
trip over the garbage can
and fall forward. My
brother grabs me by the arm,
steadies me, stands me in
front of him, and it’s like
he did it on purpose, like
he saw the memory floating
in the air directly in front
of him, and held me right
there so that I would occupy
the same space as it did.
---
I was eleven years old, and
Nathan was walking me home
from school. We had walked
a few blocks. It was
winter, and the hood on my
winter jacket made my voice
sound muffled in my ears.
That day a kid had stolen
what was perhaps my most
prized possession – the
Spiderman watch that I had
bought with my own money.
He had knocked me to the
ground and demanded the
watch, and when I refused,
he had sat on top of me then
crawled up my body, placed
his knee right down on my
wrist. At first I screamed
in pain, but after he left I
lay there and screamed until
all my breath was gone, then
breathed in again and kept
right on screaming. No one
seemed to notice. I lay
there, mute, for what must
have been ten more minutes
and listened to the shrieks
of the other kids as they
played football, dodgeball,
tag. The rest of the world
seemed to be moving without
me. I was outside of it.
When I told Nathan, we just
kept walking, the ice
crackling under our feet,
and I looked up at him, and
he reached over to my head,
rested his hand around my
neck, then moved his hand up
onto my head, squeezed it.
I focused on the feeling of
his fingertips through my
hood, his palm pushed down
against me. It started to
feel like his hand was
sinking through the hood,
through my head, down into
my brain, mingling with the
ideas in there, and I felt
like maybe Nathan thought
that this head here was an
okay place to spend some
time in. The watch didn’t
matter. For the next two
years, until Nathan left for
college, I did my best to be
close to him whenever he was
around, to mimic his
confidence, his smile.
---
Nathan isn’t smiling now. I
try to smile for him, to do
for him what he did for me,
but what comes out is screwy
and squinted, nervous and
wholly insincere. Nathan
sets his hand on the side of
the plywood table, turns
away and looks down.
“Stop,” he says, but I
can’t. The muscles in my
face are paralyzed. Nathan
pulls the garbage can under
the table and thrusts the
shells into it. I watch,
screwy smile still stuck on
my face, as he wipes the
shell dust on his pants then
drags the garbage can back
up against the wall. He
asks, “What do you want from
me?”
I clench my jaw and pull my
muscles free, relax my
face. “What happened to the
shells?” I say. “How did you
drop them?”
Nathan looks up at me, and
then away, shakes his head.
“Fucking douche bag,” he
mutters. He paces
insistently back and forth
across the room, like a dog
that has lost the scent of
the animal it is trailing.
He finally takes a handsaw
off of the tool rack,
cradles it against his
stomach. He says, “Who are
you, man? What are you
doing in this house?”
I feel like the ground has
just been pulled out from
me, and like in the
cartoons, I’m floating there
in midair, waiting.
Waiting. I breathe. “I’m
sorry,” I say.
“Yeah right,” he says,
looking down at the saw,
running his fingers along
the teeth that are its
belly.
My brain is spinning. All I
see is red. Words ride a
red-hot wave out of my
mouth. “Where have you
been? Where have you been?
I’ve been out here trying to
make it through with Mom.” I
stare at the floor a second,
feel my arms tense, my hands
curl into fists. I look
back up at him. “I’ve been
alone here since you left
for college, and Dad was
like, ‘You’re gonna leave
too one day! You’re gonna
leave too!’ But I didn’t
want to leave. I didn’t
have any big plans for
myself, and North Jersey,
living with our parents… who
I love, who fed us and
raised us, and paid your way
all the way through freakin’
Boston University,
seemed as good a place as
any.” I step across the room
as I’m speaking. I feel
bigger than Nathan for the
first time, and I want him
to feel that.
Nathan turns his back on me,
walks over and closes the
door, leans back against it,
then moves quickly toward me
until he’s right in my
face. He grabs my face up
from under my chin and
squeezes. “Feel that?” he
says. “Imagine me squeezing
a thousand times harder.
Your face would turn into
mush, nothing, some pulpy
mess that I could wash down
the drain. That’s Dad right
now. As good to me and you
as-”
I pull Nathan’s hands off my
face, and, trying to keep
myself from yelling, say,
“We ate pasta sometimes for
weeks in a row, just so Mom
and Dad could afford to send
you that check for your
Philosophy 101 book. I
remember. I remember Mom
having these whispering
conversations with Dad about
the dimes we were saving and
how far they were going to
take you. And here you are,
back home, stuck, thinking
they owe you more. Where in
God’s name have you been?
You have no right.” I shove
Nathan, and he falls back
into the table, knocking the
plywood off of the
sawhorses.
---
She said, “He’s gone,” and
as she completed the
sentence, it was like she
had lost a pair of ribs –
she shrank down, arms came
forward until they were like
towels hanging limp over her
shoulders. Her face
darkened, her knees showed,
bent a little, through her
long matronly dress. She
looked like a troll, or like
an old woman that I didn’t
know or care to know. I
left her there, and before I
came to the door it was
already in me: Dad was
dead. I walked slowly into
the garage, saw him slumped
there, heard the sound of
approaching sirens.
I went to Nathan, sat down
next to him on his bed, and
said, “Dad’s dead. He’s in
his workshop. He must have
had a heart attack.” I
cried tears that felt right,
like I knew Nathan knew
exactly what they stood
for. Like I knew Nathan
knew what they meant. But
Nathan didn’t say anything.
Eventually he stood up and
went to the workshop. I
followed. The medics had
already loaded the body onto
a stretcher and taken it out
to the ambulance. He walked
out the garage door to the
ambulance, walked around it
in a complete circle. A
medic got out of the
ambulance and said a few
words to him, laid his hand
on his shoulder, then got
back in. Nathan put his
hands in his pockets and set
off down the street. He
didn’t come home until early
in the morning.
---
Nathan flings the saw
harmlessly behind him as he
reaches back to break his
fall, but in that moment I
picture it, I see it
specifically – Nathan
instead releasing the saw
right at his waist, and his
knees pushing it up into
him, cutting him open. I
see him looking in shock
down at his opened up belly,
feeling a pain quite close
to the one that has been
coiling in my stomach for
these last three weeks. I
close my eyes and reopen
them. I say, “We’re all
hurting here, Nathan.”
Nathan blinks three times.
“You’re hurting. That’s
fancy. Hurting people are
the ones who are trying to
move on. Move on,
eventually you’ll feel
better, you’ll feel normal.
It’ll be okay. That’s what
people whispered in your ear
at the funeral. And you
listened. What if I don’t
want it to be okay? What if
I want to respect the
fact that my father, the man
who raised me, fuckin,
fuckin’ threw baseballs
around with me.” He makes a
vague motion like he’s maybe
throwing a baseball. “Fuck
that – the man who took us
to the Chinese restaurant
when Mom worked late and had
us all memorize the Chinese
translations and make
sentences. You know… use
the word in a sentence so we
were all making English
sentences with Chinese words
all mispronounced, and the
waiters stared at us.” He
shakes his head and takes a
deep breath. “What the fuck
am I talking about?” He
smiles for a moment.
I sit down on the ground
near him, hug my knees, lean
back against a sawhorse. “I
forgot about that,” I say.
Nathan licks his lips, and
as an afterthought, or as if
the words are coming only as
he speaks them, “That’s
cause you were little. Mom
had stopped working late
when you were probably like
nine or ten.” He reaches
behind him and lifts up the
spice rack, holds it out to
me. I look away.
“Yeah,” He says, and he
throws the spice rack into
the wall right in front of
us. It lands a few feet to
my left and still appears to
be intact.
I don’t know why, but I
laugh. “That was some good
craftsmanship, Dad,” I say.
Nathan stands up, walks over
and punts it into the wall,
and this time the joints
where the dowels, upon which
the spices were to rest,
separate from the side panel
of the thing. “What the
fuck was wrong with you,
Dad?” Nathan asks, and I
hear panic in his voice
now. “A fucking spice
rack. And that bookshelf in
my room that you made...” He
takes a deep breath, then
walks out of the room, and a
few minutes later comes back
with the little bookshelf.
He drops it onto the ground.
“Get up,” he says, small
beads of sweat on his
forehead. I stand, and he
pulls a hammer off the tool
rack and hands it to me,
then leaves again. I look
down at the bookcase. It is
already falling apart,
cloudy blue paint flaking
off, a leg missing. I swing
down into the bottom shelf,
and it collapses so easily
that I nearly clip my leg
with the hammer. I reach
down and pull the sides to
the shelf apart, exposing
the dozens of little nails
that held it together. I
pull the middle shelf free
and Frisbee throw it into
the tool rack. The tools
jump up from the impact; a
hacksaw drops to the
ground. I pick up the
remains of the shelf and
throw it down at my feet.
It all comes apart, and I
look down at it for second,
then close my eyes and see
my father wearing this too
big shirt with paint stains
all over it, and cut up
jeans that he must have had
since the seventies and only
wore when he went out to his
shop, and his eyes, focused,
steady, studying these
boards. The only thing on
his mind are these boards
and the way he will fit them
together. I open my eyes.
Nathan walks back in, arms
full, and sets what he has
collected on the ground: a
jewelry box, edges poorly
mitered, one hinge broken, a
coat hook made of a piece of
plywood cut into the shape
of a head, mouth and eyes
crudely painted on (you were
to hang your coat on a dowel
which doubled as the man’s
nose), a rubberband gun, and
a magazine rack… “There’s
more,” Nathan says, turning
back toward the door.
I look down at the stuff,
and all I can see are the
flaws, brownish nails
exposed everywhere, marks
from missed hammer swings. I
wonder what he was
thinking. He never seemed
to notice that after a week
or two most of it would end
up hidden in a closet, and
he made little to-do about
giving the stuff away. I
remember the face he had –
he’d walk up to my brother
or me with this perplexed
look on his face, like a
person who wakes up after a
night of heavy,
blackout-inducing drinking,
little bits of what had just
happened to him, what he had
just done, passing in and
out of his head. Then he’d
say our names: “Nathan,
Eli…,” hold whatever it was
out to us like maybe we
could make better sense of
it than him. We’d stand up,
walk over and examine the
thing, take it from him, and
as he was walking out the
door, Nathan would say,
“Thanks Dad,” then elbow me
in the shoulder.
“Yeah Dad, thanks!” |