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A Hillbilly Song by G.S. Gullisken

     Al Toon and his twin daughters moved to Loveland, Colorado, from outside of Gatlinburg, Tennessee. The children (and parents) in our small but growing Garden Park neighborhood thought the Toons were as close as you could get, in Loveland anyway, to what you call "white trash."  In other words, they were poor, and they had an accent.  In other words, other than the accent, they were like every other hard-working, vanishing, middle-class family in our neighborhood, that was just past the famous Loveland cherry orchards, just west of Lake Loveland, at the base of the great Rocky Mountains.

     Al Toon had lost three fingers on his right hand.  He lost them in Korea, or maybe a factory accident, I don't really know.  He was the kind of man who wanted to shake each and every person's hand when they came around to hear him softly pick his guitar.  As children, we enjoyed listening to him sing his hillbilly songs (mostly Woody Guthrie's) but were uncomfortable about his inevitable two-fingered right-hand handshake.  Even so, many summer evenings we would sit in circles and sip lemonade and listen to the frogs croaking in the nearby irrigation ditches, and the young coyotes yapping close by in the pink and purple foothills, and Al Toon gently two-finger picking his old Martin guitar.

     Al Toon had twin teenage daughters, who wore Levi cut-offs high on their creamy white-trash thighs and wet B.V.D. T-shirts as they washed their father's '56 Buick station wagon with Tennessee plates,  the kind of car before back seat belts, with just an upholstered cord to hold onto along the back of the sofa-sized front seat.  I suppose I was as afraid of the twins and their unknown thighs as the inevitable two-fingered handshake greeting from Al Toon.  Still, I loved many summer evenings on their front porch.

     This was in the late spring of 1968.  My buddies and I were in-between playing kick the can and Playboys.  We were boys at ten, eleven, and twelve who wanted to continue "playing" but knew that cowboy and Indian time was swiftly slipping away, easing into the summer thunderstorm sky like a lullaby.  Boredom and boys soon to be teenagers can be a lethal mix.  Summer was close, school would soon be over, and there were no fields for us to tend nearby.

     So this was spring, and carloads of people from Denver or Cheyenne would drive up or down to look in wonder upon the famous cherry blossoms in the Loveland cherry orchards. The orchards were filled with blossoms, the ponds were filled with fat carp (we would hunt them with bow and arrows), the growing subdivision was filled with bulldozers for children to climb, and Mr. Al Toon and his daughters were out of town. 

     Before the Toons moved into their house, their backyard was the local boys' football field.  Other than a clothesline pole that had rusted out and broke off, sticking up now like a sharpened iron spike, the yard was perfect for our games.  So while the Toons were away, we returned to play football in their backyard.  One afternoon Bobby Leasenhope accidentally punted our over-inflated plastic Rawlings football through the Toon's garage window. When we climbed in through the broken window to the garage to get the ball and then the hell out of there, one of us checked the door to the kitchen and found that it was unlocked.  This unlocked door scared us more than the broken window, but being we were boys, we decided to go on into Al Toon's home.  Just to look around, not to cause any trouble.  Actually most of us had been in the house before anyway. Certainly I had been welcome in the Toon house before.  I’m not sure why I led the way into the house. Perhaps I was trying to impress my older brother, or had curiosity about the twins’ room, or was excited about doing something bad, or maybe I was just a young bored boy?

     Either way, every single one of us going into the house that day knew it was wrong, but not a single one of us said a word about it.  Like silent and scared church mice, we made our way from the clean kitchen, through the living room, to the teenage twins' underwear drawer.  We touched the wire and lace and white cotton garments as the black light poster of Elvis looked down from above. The phone rang, and we fled.

     Now I suppose with our good Christian upbringing we should have left the house and that experience for what it was- over.  For some odd and unexplainable reason, we didn't.

     Butchie, Tommy, and Ronnie King were three demented (demonic our mothers said) brothers living in a broken home on our block.  They were from Texas and had an accent too, but they seemed to have money.  They smoked cigarettes, or cancer sticks as Ronnie called them, shoplifted at the Safeway, and, of course, got in trouble when they were in school.  I remember Tommy chasing his little, naked brother Butchie outside around the house, in the cold air one snowy Sunday morning with a rake.  One time Butchie explained to us his family was rich- he proudly told us they had three rakes. Our mothers encouraged us not to "play" with the King boys.  But we were growing out of that "play" stage now, and we had an adult discovery we wanted to share.  The last time we dealt with the King boys, Ronnie King (the oldest) and my big brother Si arranged for a big bicycle race. All the younger kids pooled our allowance money and savings to buy candy awards and prizes for every rider and winner.  While we pumped our way around the block twenty-five times or so on our stingray bikes, Ronnie and my brother Si ate all the candy awards.  My brother Si was a good guy; Ronnie King just sort of had a bad boy way about him that got people to do things for him, like steal cancer sticks from the Safeway.

     My group of playmates proudly marched over to the King boys and brother Si and announced the grand news that we had snuck into the Toons' house.  They put down their Mad magazines and Ronnie's eyes lit up as he demanded to know how we got in.  We lemming-like told him and off we all went to re-enter the forbidden zone.

     By the time we arrived at the broken garage window, my friends and I knew we made a mistake in telling this secret information to the Kings.  Maybe a big mistake, but it was too late. What could we do?  Two of the younger boys, I think the Goldberg brothers, left the Toons' backyard in tears as Ronnie threatened them to keep their big baby mouths shut about this when they got home.  The thought of running away and telling an adult about this crossed my mind, but only briefly.  I was with the big boys now.  I climbed in the window after my big brother Si. 

     All of us watched passively in horror as Ronnie King started ripping open kitchen cupboards and breaking plates and smashing drinking glasses on the floor.  He went a little mad, or more mad, as far as Ronnie was concerned, which wasn't far at all. He tore open the refrigerator door and then squirted French's mustard and Heinz ketchup out of squeeze bottles all over the walls and floor.  He poured Log Cabin syrup on the kitchen placemats.  He laughed hysterically as he emptied the milk bottle and then threw all the good fruits and vegetables down the basement stairs.  My brother Si told him enough was enough.  Ronnie smiled a scary smile and pulled out four cans of sixteen ounce Coors beer from the fridge.  He threw us a church key and the Coors and dared us to suck up the beers while he finished up. Ronnie had become something out of a Graham Greene story but without the justification. I believe he wanted to destroy the whole inside of this house, or at least destroy the inside of something.  The younger Kings and kids and my brother and I just gulped down the stolen Rocky Mountain beer and watched, just watched, in disbelief.  Ronnie tore open all the rest of the cabinets and flung everything to the floor.  He plugged up the sinks and turned on both faucets.  He was finished with the kitchen and was headed to the living room, when again, mercifully, the phone rang.  Panic.  Everyone fled.  Ronnie first. Then my brother Si turned off the kitchen faucet, like big brothers are supposed to do. On the way home my brother asked me if I was O.K.? As if I didn't just break into a neighbor's house, as if I didn't inform the lunatic fringe of the unlocked door, as if I didn't watch as a neighbor kid almost destroyed the inside of a neighbor's house, as if I didn't know big trouble was coming my way because of all this...I guess I'm O.K. I said.

     Two days later, when the Toons returned, my brother and I knew the police were finally in our Garden Park neighborhood; they were searching, like ranchers for lost lambs, for us.  They would find us, eventually, we knew.  Like Cagney and Bogart, we snuck upstairs to our shared room to hide and divert ourselves with a game of Chutes and Ladders.  The King boys fled from their broken home to the police and told them my brother and I were the ringleaders behind the wanton destruction and senseless vandalization.  Actually, I was the first one to enter the house, and I was the one to inform Ronnie King of the unlocked door. That insight gnawed at my stomach, the fact that I inadvertently caused the damage, or was it fear from my heart pounding inside my feeble ribcage?

     I was basically blubbering before the police knocked at our door.  When they did, they sternly spoke to our mother (our father was away on business) and then took my brother and myself and the King boys and a few of my playmates, with our parents, down to the Loveland police station.  The police and our parents wanted to scare us, and they did. They showed us the jail cells, and I thought that's where Ronnie will one day end up.  They explained to us about juvenile hall and Ronnie said, under his breath, he had already been there in Texas. For some reason I was thinking about Pinocchio and Pleasure Island when my mother clued my brother and me in on the whipping we were going to get as soon as my father returned.  All these images flooded my mind.  But what I remember most was Al Toon telling the police, in his gentle Southern drawl, that he wasn't going to file any charges, then picking up a Bic ballpoint pen with his thumb and one right finger, signing a release form, and then coming over to me, comforting me to stop crying, telling me it's over now, saying everything was going to be O.K. Just A.O.K. 

     Later, during that summer, at first, only the innocent neighborhood children returned to Al Toon's front porch for his song sessions.  The King boys never returned (come to think of it, I don't think they ever were on the porch).  But one summer night when the fireworks stands were just opening up again, after my brother and I had just mowed a fresh-recruit crew cut on our lawn, my mother gave my brother Si and me a fresh baked cherry pie to take down to the Toons.  Reluctantly, but relieved, we did.  Al Toon opened and offered us up a piece of pie, and shook both of our hands.  He asked one of the twins to bring a pitcher of lemonade and some forks.  Then he sat on his front porch and serenaded me with the sweetest sound I can ever remember- the sweet, sweet song of forgiveness.  Like an angel singing on a sweet summer night, a lullaby of forgiveness, a pitcher of lemonade, a fresh-baked cherry pie given to good neighbors, a golden melody of bliss, a warm and hearty two-fingered handshake, and Al Toon picking his old Martin guitar...sweet, sweet song of forgiveness.

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About the Author:                G.S. Gulliksen is a professor, poet, editor, and author. He teaches at CFCC in Wilmington, NC. His work has recently appeared in The Flying Island and Arts Poetica. He contributes as a fiction editor to SCM in Wilmington. Currently, he is the proud papa of a Thanksgiving baby boy.