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The Man Who Shot Henry
McCarty
by
Jay Todd

During the third day of a
late October rain, I stood
on the saturated riverbank
and watched my two dumb
deputies, the brothers Aaron
and Abram, try to bring the
body on shore. My instinct
had been to ignore the story
of a body in the river, to
leave whatever it was alone
and hope it went away on its
own. Then I remembered I was
sheriff. The body caught,
sometime in the night, on
the long low branches of an
ancient oak that hung over
the water as one thick limb
before splitting, turning
down, and plunging into the
river like the fingers of a
lazy god. Between its index
and middle fingers bobbed
this corpse, and my deputies
were doing a poor job
lassoing it. Fifty feet
away, I felt my feet sink
into the mud.
Three days of rain had made
the river, which began as a
creek in the mountains five
hundred miles north and
twisted its way through
Lincoln County, run higher
and faster than anyone could
remember. It had become a
threat, and I thought the
deputy who had just lost his
grip and crashed into the
frigid water done for. As he
thrashed about in the foam,
though, his brother, back on
the ground, tossed him the
rope and managed to get the
dummy and the body out of
the water. I continued to
sink into the soft earth,
watching, more involved than
I wanted to be. I'd had only
one cup of coffee and two
cigarettes for breakfast,
and before I could have more
of either, I would have to
help put the body on one of
the horses and ride a slow,
wet, cold twelve miles back
to town. I had planned to
spend the day next to the
fireplace while writing my
next campaign speech, but
plans change sometimes
without our permission.
* * *
I shot Billy the Kid. I
never spoke those words to
anyone. Never had to. People
just knew. Once I did it,
everyone knew I'd done it.
Everyone knew who I was. Pat
Garrett, the man who shot
Billy the Kid. That one act
made me who and what I was.
I got the good people of
Lincoln County to elect me
sheriff by promising to save
them from their nightmare.
They elected me and I saved
them and it made me famous.
You think that sort of thing
will stay with you forever,
that no matter where you go
or what you do, you'll
always be the man who shot
Billy the Kid. You'll always
be that significant.
But I wasn't anymore. I'd
worried about it for some
time, and as we rode into
town—a fool's parade with me
in the lead, a bloated
corpse behind, and a pair of
waterlogged morons bringing
up the rear—I knew those
good people weren't looking
at me as a great law man or
a fearless hero but as an
incompetent politician.
Worthless: something to
laugh at. A novelty
bespotted with mud.
During the first day of
rain, the town had
essentially shut down.
People stopped going
outside. Three days later,
with the rain finally
slowing and this strange
caravan clopping down the
street, they came back out.
Some on porches, others out
windows, others into the
street, all braving the muck
and mud for a closer look.
"What got there, Sheriff?" A
few old men came up
alongside my horse. The
middle horse kept their
attention, though, but the
middle horse's rider
couldn't answer any
questions. "Why bring a dead
man to town?"
"Pulled him out of the
river. Thought somebody
might recognize him," I
said. "What else could I
do?"
There were three of them
loosely surrounding me, all
of us still moving along the
uneven road that led to the
jailhouse. I waved at some
kids as we passed the
school, a cluster of faces
pressed against a dirty
window. They didn't wave
back.
"Bury it," one of the old
men said.
"Sink it," another one said.
"Or let the river take it
out of our town," the third
one said.
"I should have gotten rid of
it?"
All three turned to look at
me then, finally. After I'd
done it, tracked him down
and shot him dead, and rode
back into town on a sunny
day—no rain, no shade, no
breeze, just pure, dry,
skin-peeling heat—they
couldn't keep their eyes off
me. Back in July, these
three and hundreds more like
them slapped me on the back
and shook my hand and told
me I was the best lawman in
the country. Now I sat on
top of my horse, still
bigger than life, and they
looked up at me as if I
didn't belong. I'd never
been one of them, never
would be. One of the old men
now let out a sigh as if
expelling me from his
existence. "Yeah," he said
calmly. "Should have gotten
rid of it. Hidden it. Buried
it. Burned it. I don't care
what."
"And what would that have
proved?"
This one kept pace next to
me while the other two
dropped behind, supporting
him if nothing else. "What's
to prove? Sheriff’s job's to
protect us. Nothing to prove
about it."
I spurred my horse, just a
bit, to make him walk
faster. "Who he was. How he
died. When he died. Where he
died. Who killed him." None
of these things truly
mattered, but I rattled them
off like a shopping list, as
if they were that important.
I'd gone to all the trouble
of getting the body out of
the water. It only seemed
proper that I do something
with it.
The old man stopped walking,
as did the other two. I had
to turn back to see him wave
a knuckled and crooked
finger at me. "Showing off
for the election."
Maybe I was, but I wasn't
going to admit it. I was
doing my job. They elected
me the first time around
because of a promise, and I
made good on that promise,
did better than that
promise: I shot him dead
before he could draw his
gun, before he could even
stand up. Sure, I killed
Billy the Kid, but what had
I done lately?
The three old men spoke
together for maybe a second
before stumbling into
McSorley's saloon. It was
ten in the morning. At
another time in my life,
they would have gone in and
talked to me, leaned against
my well-waxed bar and asked
me for three heavy shots of
bourbon, and I would have
given it to them, and they
would have loved me for it.
I should have stayed there
behind the bar, where the
worst mistake you can make
is to give a man the wrong
change. No major decisions.
No risks. Pour the bourbon
fast enough and get a smile
and a decent tip. Everyone
goes home happy. No one
knows your name though. As
you walk through town, no
one whispers it; no one
points at you; no one says,
"Look. That's him. That's
Pat Garrett." No one had
said that in a long time.
Maybe they never had. Maybe
I imagined it all.
People were whispering,
still watching us ride by in
the gray morning. They were
saying, as I rolled a
cigarette, "Sheriff found
himself a dead man. Sheriff
don't know what to do with
it." I wasn't anyone to
them. I was just the word:
Sheriff. And I wasn't much
of one at that.
When we reached the
jailhouse, I told the
deputies to take care of the
body and to clean themselves
up. In that order. I needed
to warm myself. The dead man
wouldn't go anywhere while I
changed clothes and nursed a
large brandy.
* * *
When I returned to the
jailhouse, the deputies were
playing cards on the porch.
I always had trouble telling
one from the other. Brothers
a year apart, they may as
well have been identical:
short and skinny with shaggy
black hair that never looked
combed, even dripping wet.
Aaron was missing two front
teeth; Abram, three. I
think. They didn't look away
from their cards when I
walked up to them. I used to
think they were too stupid
to pay me any respect.
Really, they were ahead of
the pack.
Standing behind Aaron, I
asked, "Where's the body?"
He had a weak full house:
jacks and fives. When
neither answered my
question, and when Aaron
began to discard one of his
jacks, I whacked him on the
side of the head. His hat
flew off, but he rubbed his
scalp as if a fly had bitten
it.
"Still out back," Abram
said.
I bent down, picked up
Aaron's hat, and put it
crookedly on his empty head.
"Go get Wynn Johanssen," I
said to either of them.
"What for?"
"He's a carpenter," I said
and left them to figure it
out on their own. I went
through the jailhouse.
Behind the building, the
body lay in more mud, rolled
up in old blankets like
garbage we didn't know what
to do with, the blankets
already wet and heavy from
the rain. Grabbing the thick
feet, I dragged the mess
inside, out of the rain and
mud and eyeshot of the
Methodist church.
The stench of the thing
didn't hit me until I
unrolled it, pulling the
thick wool blankets away
like the layers of a tough
old onion. I'd seen dead men
in my life, a few I'd made
dead myself, but they had
all been recently dead. They
still looked alive. They
still looked like men. This
thing looked like it
belonged deep underground, a
beast of a grub, something
you cover back up as soon as
you uncover it. His skin was
chalky, colorless, and
overstuffed. His stomach
swelled out and sagged over
his privates, the only part
that hadn't expanded, having
become child-like, small and
hairless. He was hairless
all over: the river had made
him smooth for the first
time in decades, the water,
flowing past him, pulling
the hairs out one by one.
The river did all that, made
him a non-person, bloated
and bald, a thing
unrecognizable and
negligible. The stench,
though, wasn't ignorable:
repulsively sweet and
overpowering enough to make
my eyes tear. It filled the
room, probably the entire
building; it surrounded me
and seeped into my clothes
and skin.
After rolling him over, the
death was easy enough to
solve. Even Aaron and Abram
would have figured it out
eventually. Three
finger-sized holes formed an
awkward triangle in his
back. Shot from behind, from
a fair distance, most
likely, as the bullets
hadn't gone all the way
through. Robbed of
everything, even his
clothes, then dumped in the
river. At some point. At
some time. By someone. He
was probably significant
enough once. He'd served a
purpose but now was
forgotten. I didn't care how
or why he died. I just felt
sorry for him. I knew what
it was like.
* * *
News of the dead man
traveled fast. It might have
had something to do with
Aaron and Abram carrying the
body shoved inside Wynn
Johanssen's cheap pine box
through town while singing
"The Rover's Grave" in their
flat voices. The rain had
finally stopped, but the sun
had yet to appear, leaving
everything muddy and damp,
brown and gray. I was having
an early dinner of coffee
and cigarettes on the
jailhouse porch when ten men
walked up the street my way.
They were dressed nicely, as
nicely as you can be on a
rainy October day in New
Mexico. Suits and homburgs.
Trimmed and waxed mustaches.
Rosy cheeks. Businessmen.
Even Old McSorley, who never
left his saloon, was there
with a derby sitting
crookedly on his immense
head. They spoke in whispers
to one another until their
duly appointed
representative, Otis Foster,
the grocer and the smallest
man in the group, knew what
they wanted him to say.
"Already solved the
mystery?" he asked. All
those behind him nodded in
approval of his thinly
voiced question.
"It's been dealt with." I
thought this a particularly
tactful way of putting it.
"Murder?"
"I'd say so."
"Who was it?"
"I don't know."
The group conferred at this
admission. Mr. Foster turned
his skinny back to me.
When he returned: "Who did
it?"
"I don't know," I returned.
"Where did it happen?"
"I don't know."
"When?"
"I don't know."
He turned again to the
group, which had begun
mumbling. They all continued
to whisper, but they were
getting excited. Their arms
waved in the growing
darkness. I stood to go
inside, having admitted
enough of my lack of
knowledge. I had only come
outside to air myself.
Despite cleaning up and
changing clothes, I still
stank of that body, of death
itself. Perhaps they too
could smell it, this growing
group: people from all over
town were walking up,
sensing death, and joining
in on the hushed discussion.
Farmers. Cowboys.
Housewives. The housewives
made me nervous. I couldn't
go inside now; there were
too many of them. I moved
towards them, stopped only
by the porch railing, and
positioned myself less than
a foot away from Mr. Otis
Foster.
The little grocer turned
back to me finally and
jumped when he saw me.
Standing as I was on the
edge of the porch, I towered
over him even more than I
would have on level ground:
I was six-two; he wasn't
five-six. "Sheriff," he said
up to me, "we want to know
what's being done about this
situation."
"I've done it." I spoke
loudly. The crowd had more
than tripled in number. "The
body's buried. There's
nothing more to do."
"But a murder." The crowd
agreed loudly with Mr.
Foster's clause, although I
couldn't tell what the
actual objection was.
"Why don't you do your job?"
someone shouted. The others
grunted in agreement.
I put my hands up in a
worthless attempt to quiet
them all. "I thought I was."
"You haven't done anything."
This may or may not have
come from the same shouter.
Mr. Foster, having lost his
job, faded into the crowd. I
couldn't blame him. These
fickle mobs. Scavengers.
They pay you plenty of
attention before they pick
you apart. "You're supposed
to protect us!"
"I have," I shouted back. "I
did."
Have you already forgotten,
I wanted to ask, forgotten
what I did for you, the
dirty stinking job I did to
make you feel safe? I did it
because you people asked me
to do it, begged me to do
it, so I did it. You made me
the thing I am. I shot my
friend, shot him through the
heart while he sat in a dark
kitchen drinking his coffee,
just so you all could sleep
well at night. I wanted to
tell them what it was like
to watch that once vibrant
body fall out of the chair
and sprawl lifeless on the
dirt floor. It wouldn't have
helped. They'd already
forgotten. They wouldn't
know what I meant. I wasn't
the man who shot Billy the
Kid anymore. I wasn't Pat
Garrett. I was a body in a
uniform with a metal star
pinned to the jacket, a body
that could be anyone, that
could be no one.
Without a single spokesman,
the crowd began to lose its
sense of organization.
Everyone talked, some
shouted, others flapped
their arms and hopped
around. That wake of
buzzards moved back and
forth in the darkness and
the crowd itself seemed to
blend in with everything
else, the smoky blue sky,
the shit brown mud, all
pressing ever forward and
closing in. I brought my
hands down and grabbed onto
the well-worn porch railing
and leaned over and waited
for the swell to engulf me.
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About
the Author: After
receiving his Ph.D. from the University of
Southern Mississippi's Center for Writers, Jay
Todd, a born and bred Midwesterner, decided to
remain in the South and is currently the Writing
Center Director and an Assistant Professor of
English at Xavier University of Louisiana. His
fiction has appeared in Southern
California Review, Paradigm,
Phantasmagoria, and Chicago
Quarterly Review. He lives in Bogalusa,
Louisiana, with his wife and children. You can
follow him on Twitter at jtodd1973. |
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